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Projects

Dráttir
An attempt not to write in brackets
Reyðarstrípur
To change what was intended
To contain the meaning when we destroy it separately
Brimgarður


Alda  Mohr Eyðunardóttir


Through a variety of media Alda Mohr Eyðunardóttir (b. 1997, Faroe Islands) explores themes of language, silence, and cultural heritage, weaving them together with recognisable materials such as wool, bronze, and film, relocating these objects in new contexts. She engages with the fluidity of meaning and history, recognizing how they continuously shape the present. As she always creates in Faroese, a minority language in most contexts, she works actively with the layered ways in which her work is interpreted, often through subtitles and translation. Drawing from feminist theory, craft traditions, and language, Eyðunardóttir examines how to create broader meanings through a personal lens.

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Brimgarður 

(2021)

Wool nylon wire and steel.

Always Coming Home – OCEANIC CONNECTEDNESS was an event that was meant to create dialogue between art, literature, and critical reflection, and rethinking the possibilities of what “home” could be. The project was a collaboration between artist Alda Mohr Eyðundardóttir, the art house Hjá Karli and the Faroese publisher Eksil. 

Participating Artists:

Alda Mohr Eyðunardóttir (FO), Anný Djurhuus Øssursdóttir (FO), Ba Bladh (SE), Davide Di Fabio (IT), Hauge Djernis í Gongini (DK), Jens L. Thomsen (FO), Jón Sonni Jensen (FO), Pernille Nordentoft (DK), Peter Palluth (DK), Randi Samsonsen (FO), Tummas Jákup Thomsen (FO).